Only by diving completely in the archives of Le Corbusier, we understood the real nature of these projects; searching among technical tables, drawings, notebooks and notes, among pictures of architecture, friends and travels, we discovered a world of lights and objects coming out from the edges of a picture, transformed and colored according to the place, part of an unconscious made of natural, mechanical and metaphysical shapesâ€, says Valentina Folli, curator of LA LUCE book of Nemo Edition 2019.
The Swiss-French architect was used to design every single detail of his projects and, in line with this attitude, he created a solid durmast oak frame to use for sketches and photographs.